Kit, visas and paperwork
Permits get the attention, but a camera case stuck at customs or a crew member refused boarding stops a shoot just as fast. Here is what a foreign crew needs to bring kit and people into France, what you can skip, and what we handle from Paris and Cannes.
The short version
Four questionsFour questions decide your paperwork. Where is your kit coming from? What passports is your crew travelling on? How long are they staying? And who employs them while they are here?
If your production is based in the EU and stays a few weeks, there is very little to do: kit and EU crew move freely. If you are coming from the UK, the US or anywhere else outside the EU, your camera package needs an ATA Carnet (or a decision to rent in France instead), and each crew member's passport decides whether they need a visa. Since Brexit this applies to British crews too.
The good news for short shoots: France does not require a work permit for foreign cast and crew working on a film or audiovisual production for less than 90 days. Most commercials, formats and documentaries sit well inside that window.
Your kit
ATA Carnet or rent hereWhat a carnet is, in one paragraph
An ATA Carnet is a passport for goods. It lets professional equipment enter France for a limited time without paying import duties or VAT, on the promise that every item leaves again. It is issued in your own country, before travel, and is generally valid for up to one year. You list each item with make, model, serial number and value; customs stamp it on entry and on exit. Lose a stamp or leave an item behind and the duties become due. Allow time to prepare the list, and travel with the carnet in hand luggage, not in the case.
Often the cheaper answer is not to bring the kit at all. Once you count freight or excess baggage, the carnet, insurance and the risk of a delayed case on day one, renting the same camera, lighting and grip package in France frequently costs about the same. We price both options in the bid, line by line, and you decide on numbers. More on kit and gear rental.
Your crew
Visas, work permits, declarationsHow we handle it
From the first callDo I need an ATA Carnet to bring camera equipment into France?
If the equipment comes from outside the European Union, including the UK since Brexit, the usual route is an ATA Carnet issued in your country before travel. It allows temporary entry without import duties or VAT, provided everything leaves again. Equipment coming from another EU country needs no customs formality.
Do foreign film crews need a work permit to shoot in France?
Not for short productions. Non-European cast and crew working in France on a film or audiovisual production for less than 90 days do not need a work permit. Whether they need a visa depends on their passport. Stays longer than three months need a work permit before the visa.
Do British crews need a visa to film in France?
British passport holders can enter the Schengen area without a visa for up to 90 days in any 180-day period, and short film and audiovisual work in France does not need a work permit. Since Brexit, their camera equipment does need customs paperwork, usually an ATA Carnet.
Is it cheaper to bring our own kit or rent in France?
It depends on the package, the length of the shoot and freight. Once carnet, freight, insurance and the risk of a delayed case are counted, renting in France often costs about the same. FixersInParis prices both options in the bid so the production can decide on numbers.
Can FixersInParis help with visas and customs?
Yes. We review the crew list, provide invitation letters for visa applications, prepare the French side of customs and declarations, and organise arrival and kit transfers in Paris, Nice and across France. We are a production service company with bases in Paris and Cannes.
Tell us what you need to shoot.
Format, dates, locations, crew size. We come back within three hours with what is possible and what is not.