Student protests in France
News production for British, American and Greek television on the student protests, with crews, access and interviews.
A fixer opens doors. A production service company carries the budget, the crew contracts and the schedule. We started in 2013 as fixers for foreign newsrooms in Paris and grew into a production service company. Today we are both, anywhere in France, from Paris and Cannes.
A film fixer is the local person who makes a foreign shoot possible. In France that means four things: finding the person who can say yes (an official, an owner, a contributor), getting the authorisations from every authority involved, solving the problems of the day in French, and reading the context so the crew does not walk into a wall it cannot see.
FixersInParis was founded in 2013 by Élie Petit, a journalist, as a fixer for foreign newsrooms in Paris. The newsroom work never stopped: we still fix for news and journalism crews, and we were NBC Universal's local production and fixer partner across the Paris 2024 Olympic Games, coverage that won two Emmy Awards.
What changed is the scale. With Zacharie Petit, producer and line producer, we now run full productions for agencies, brands and broadcasters across the whole country, from a base in Paris and a second base in Cannes.
When the fixer and the production company are two different suppliers, the hand-over is where things break: the fixer negotiates access the production company does not know about, the production company books a schedule the permits cannot support. We do both, so the person who gets the yes from the mayor is the person who builds the schedule around it. There is no hand-over, because there is no second company.
Public space goes through the City of Paris film office's online platform. Crews under ten with light kit can qualify for a simplified declaration on a shorter clock.
Our second base. Crew, kit and rooms are booked out across the coast during the Cannes Film Festival in May.
The most fragmented permit map in France. Filed one by one, a coastal sequence takes two months; filed together, three weeks.
A separate state with its own authorities, often combined with a Riviera shoot.
Straightforward on paper, tight around the D-Day sites and the commemorative calendar.
Several Alpine passes are shut until June whatever your schedule says.
Vineyards, city and ocean, with coastal sites that follow the same ownership logic as the Riviera.
Industrial heritage, coast and cities a short train ride from Paris.
Châteaux are run by their own operators, public or private, not by the town.
All lead times are indicative and confirmed per project. One production often crosses three of these regions; we keep one fixer and one line producer across all of them and hire crew locally in each. For the authority-by-authority detail, see shooting permits and locations.
I really can't recommend Élie highly enough. He is the best fixer we have worked with, hands down. Extremely hard working, very flexible, and, most of all, brilliant.
Elie Petit is a bilingual, intuitive French journalist with a strong knowledge of French politics, history and society. I have turned to him many times to assist our news teams on major breaking stories in France.
News production for British, American and Greek television on the student protests, with crews, access and interviews.
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Read ↗A film fixer in France makes a foreign shoot possible on the ground: securing permits from each authority involved, finding and negotiating locations, approaching contributors and officials in French, interpreting, and solving problems on the day. FixersInParis has done this since 2013 and also runs full production services across France from Paris and Cannes.
A fixer handles access, permits and local problem-solving, usually on a day rate while the foreign production holds the budget. A production service company also carries the local budget, hires and contracts French crew on its own entity, books kit and logistics and manages the set. FixersInParis is both, so there is no hand-over between two suppliers.
Ask who will be on your shoot in person, ask them to name the authorities and lead times for your locations, check whether their crew quote is loaded cost or day rate, and ask for verifiable credits and references. A reliable fixer also tells you early what will not clear in your window.
Yes, anywhere in metropolitan France. We have a second base in Cannes for the French Riviera, Provence and Monaco, and regularly work in Normandy and Brittany, Lyon and the Alps, Bordeaux and the Atlantic coast, Northern France and the Loire Valley. We do not currently cover the French overseas territories.
As early as possible. A standard Paris shoot needs about 15 working days for public-space permits, and complex multi-authority shoots six to eight weeks. For urgent news and small crews we can move within hours and will tell you plainly which locations can clear in your window.
It depends on the scope: a day of fixing for a news crew is priced very differently from a full production service with crew, kit and permits. We quote per project, line by line, in euros. See what filming in France costs for the main drivers, or send us your brief for a figure on your dates.
Format, dates, locations, crew size. We come back within three hours with what is possible and what is not.